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Original Title: | Pale Horse, Pale Rider |
ISBN: | 0151707553 (ISBN13: 9780151707553) |
Edition Language: | English |
Setting: | Denver, Colorado(United States) |
Katherine Anne Porter
Hardcover | Pages: 208 pages Rating: 4.01 | 2229 Users | 279 Reviews
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First published in 1939, these three short novels secured the author’s reputation as a master of short fiction. From the gothic Old South to revolutionary Mexico, few writers have evoked such a multitude of worlds, both exterior and interior, as powerfully as Katherine Anne Porter. This collection gathers together the best of her Pulitzer Prize-winning short fiction, including 'Pale Horse, Pale Rider', where a young woman lies in a fever during the influenza epidemic, her childhood memories mingling with fears for her fiancé on his way to war, and 'Noon Wine', a haunting story of tragedy and scandal on a small dairy farm in Texas. In all of the compelling stories collected here, harsh and tragic truths are expressed in prose both brilliant and precise.
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Title | : | Pale Horse, Pale Rider |
Author | : | Katherine Anne Porter |
Book Format | : | Hardcover |
Book Edition | : | Deluxe Edition |
Pages | : | Pages: 208 pages |
Published | : | June 18th 1990 by Houghton Mifflin Harcourt (first published 1939) |
Categories | : | Fiction. Short Stories. Classics. Literature. American |
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Ratings: 4.01 From 2229 Users | 279 ReviewsAssessment Epithetical Books Pale Horse, Pale Rider
Noon Wine is good, disturbing, crystal-clear even as it describes confusion; Old Mortality is very good at capturing the undercurrents that go unspoken in family histories and what we make of them; but Pale Horse, Pale Rider is phenomenal. Terrifying, wry, sad, visionary, unflinching, hands-down, give-up-the-farm, pretenders out there don't even come close. The only reason I can think of why everyone in this country doesn't read this story is because it's too good at describing death, and it'sFor decades I have wanted to read Pale Horse, Pale Rider, but who recommended it or what they might have said is lost in the cobwebs of my mind. For that reason, I jumped straight to this novella, which is last. in no way did it disappoint. The strength of that WWI bleakness squirms through the story. The promise of love torn away, shattered as completely as if it were on a battlefield. The lesser men hawking patriotism as if it were a vacuum cleaner. The close intimacy of the slow dance, the
How on god's green earth hadn't I picked this up before? A girl I worked with and took classes with in college wrote her senior thesis on Porter's 'feminist' revisions of Faulkner, but I suppose I was so busy with my own thesis & worries about grad school that I didn't pick her up at that time and simply forgot about her until forced to read these three short novels (not "novellas", says Porter!) for a seminar last month. Books remain neglected on my shelves for years & years and nothing

I was given this book in the early 1970s from my Army buddy Butch Drury, himself in the Ph.D. program in English when he was drafted; he now is in the Hospital Administration department at Northwestern, but remains a Renaissance Man, but I digress. This wonderful short book by the author of Ship of Fools contains three short novels about change, sadness, tragedy, sometimes hope, and deep character study, about both individuals and the environment theyre in. Her prose is carefully and
I read this as a teenager and to this date have never ever forgotten it. I get goose bumps remembering it. One day I will reread, and see what I think of it almost 40 years later, especially now that I know it was about the 1911 flu pandemic.
I came to this while looking through the "Literary Pillars" by Gass. I'm a sucker for Southern Gothic, and two-out-of-three of these short novels are absolute killers. "Noon Wine" is canonical, the best 'genre' work I've read in a while. Pick it up, read it, put it down. Then find yourself shell-shocked for the rest of the evening. Sorta like listening to the Bay City Rollers.
Death à troisWith these three, very different stories Porter fully emerged onto the American literary scene in the 1930s, having scored a success previously with "The Flowering Judas Tree and other stories". Though the book has only the three sections, they are so separate as to warrant separate reviews. Only one character, Miranda, appears in two stories. She is probably Porter's alter ego, though I am not so familiar with the details. All the stories deal with Death in some manner, Love plays
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