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I Was the Jukebox: Poems 
from “The Piano Speaks”
For an hour I forgot my fat self,
my neurotic innards, my addiction to alignment.
For an hour I forgot my fear of rain.
For an hour I was a salamander
shimmying through the kelp in search of shore,
and under his fingers the notes slid loose
from my belly in a long jellyrope of eggs
that took root in the mud.
I LOVED THIS POETRY COLLECTION! I wanna sit down with Beasley and have a chat over a cup of coffee. I want to know about her poems and what inspired her to write them. The only thing that I found off was that the poems felt choppy as a whole as I went through the book. It wasnt too much of a bother though. Ive really been craving poetry for a while and this definitely satiated my appetite. I would recommend this book to anyone interested in getting into poetry. Some of my favorite poems from
Wow. This is only the second collection of poetry I have read, and I gotta say I absolutely loved it. This is great. Recommend it to anyone that likes poetry that is almost dream-like, yet profound. If I didn't have to turn this back in to the library, there would be highlighted lines all throughout this book. Only wish I didn't have to write a paper on it for school right now.

Sandra Beasleys *I Was the Jukebox* first allures the readers ear with its taut syntax and jazzy tonalities, often harshly assonantal. Brash and brassy, her sonics are at their arguable best when counterpointed formally, either by the sestinas strict demands--Returning to the Land of 1000 Dances--or the looser ones imposed by unrhymed quatrains and couplets. Fourteen of the latter, all but one self-contained, which ends in a colon, comprise To The Lions; and here, Beasley amps up the tension
I wanted to love this collection of poetry but unfortunately, I just couldn't. While I feel the poems are very accessible and easy for readers to understand, I never felt moved or pulled into the poems. I want to have an emotional reaction when I read poetry and this collection didn't do that for me. It was a collection that was easy for me to put down and walk away from. It's technically competent and well written, but I never felt anything other than a dull "okay" when reading any of the
Anyways, I read through the book delighting over the poems that Beasley had read to meand the others in the classroomherself; the voice in my head inferior to hers. In the book, Beasley speaks from the point of view of an eggplant, of orchids, of a jukebox, and many other inanimate objects and animals. Though all of the poems are exceptional, I want to draw your attention to one titled The Cutting Board (p. 57).This poem reminds me of her memoir Dont Kill the Birthday Girl, where she depicts how
I group Sandra Beasley's poems together with Julianna Baggott and Aimee Nezhukumatathil--they write accessible poems that I really like to read. They are poems I would give to someone who wasn't into poetry, or someone just starting to read poems. They are straightforward, easy to understand, but still really good. I think these poets are great for poetry.Beasley said in her book that a lot of the poems were written during NaPoWriMo. I saw a lot of them posted to her blog every day as she was
Sandra Beasley
Hardcover | Pages: 96 pages Rating: 4.24 | 291 Users | 46 Reviews

Identify Books Conducive To I Was the Jukebox: Poems
| ISBN: | 0393076512 (ISBN13: 9780393076516) |
| Edition Language: | English URL http://www.sandrabeasley.com/ |
Commentary To Books I Was the Jukebox: Poems
“These poems are fresh, crisp, and muscular. They are decisive and fearless. Every object, icon, or historical moment has a soul with a voice. In these poems these soulful ones elbow their way to the surface of the page, smartly into the contemporary now.”—Joy Harjo, prize citationfrom “The Piano Speaks”
For an hour I forgot my fat self,
my neurotic innards, my addiction to alignment.
For an hour I forgot my fear of rain.
For an hour I was a salamander
shimmying through the kelp in search of shore,
and under his fingers the notes slid loose
from my belly in a long jellyrope of eggs
that took root in the mud.
Declare Of Books I Was the Jukebox: Poems
| Title | : | I Was the Jukebox: Poems |
| Author | : | Sandra Beasley |
| Book Format | : | Hardcover |
| Book Edition | : | First Edition |
| Pages | : | Pages: 96 pages |
| Published | : | April 5th 2010 by W. W. Norton Company (first published 2010) |
| Categories | : | Poetry |
Rating Of Books I Was the Jukebox: Poems
Ratings: 4.24 From 291 Users | 46 ReviewsWrite-Up Of Books I Was the Jukebox: Poems
I LOVED THIS POETRY COLLECTION! I wanna sit down with Beasley and have a chat over a cup of coffee. I want to know about her poems and what inspired her to write them. The only thing that I found off was that the poems felt choppy as a whole as I went through the book. It wasnt too much of a bother though. Ive really been craving poetry for a while and this definitely satiated my appetite. I would recommend this book to anyone interested in getting into poetry. Some of my favorite poems from
Wow. This is only the second collection of poetry I have read, and I gotta say I absolutely loved it. This is great. Recommend it to anyone that likes poetry that is almost dream-like, yet profound. If I didn't have to turn this back in to the library, there would be highlighted lines all throughout this book. Only wish I didn't have to write a paper on it for school right now.

Sandra Beasleys *I Was the Jukebox* first allures the readers ear with its taut syntax and jazzy tonalities, often harshly assonantal. Brash and brassy, her sonics are at their arguable best when counterpointed formally, either by the sestinas strict demands--Returning to the Land of 1000 Dances--or the looser ones imposed by unrhymed quatrains and couplets. Fourteen of the latter, all but one self-contained, which ends in a colon, comprise To The Lions; and here, Beasley amps up the tension
I wanted to love this collection of poetry but unfortunately, I just couldn't. While I feel the poems are very accessible and easy for readers to understand, I never felt moved or pulled into the poems. I want to have an emotional reaction when I read poetry and this collection didn't do that for me. It was a collection that was easy for me to put down and walk away from. It's technically competent and well written, but I never felt anything other than a dull "okay" when reading any of the
Anyways, I read through the book delighting over the poems that Beasley had read to meand the others in the classroomherself; the voice in my head inferior to hers. In the book, Beasley speaks from the point of view of an eggplant, of orchids, of a jukebox, and many other inanimate objects and animals. Though all of the poems are exceptional, I want to draw your attention to one titled The Cutting Board (p. 57).This poem reminds me of her memoir Dont Kill the Birthday Girl, where she depicts how
I group Sandra Beasley's poems together with Julianna Baggott and Aimee Nezhukumatathil--they write accessible poems that I really like to read. They are poems I would give to someone who wasn't into poetry, or someone just starting to read poems. They are straightforward, easy to understand, but still really good. I think these poets are great for poetry.Beasley said in her book that a lot of the poems were written during NaPoWriMo. I saw a lot of them posted to her blog every day as she was

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