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The Improbability of Love Hardcover | Pages: 408 pages
Rating: 3.68 | 12105 Users | 1589 Reviews

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Title:The Improbability of Love
Author:Hannah Rothschild
Book Format:Hardcover
Book Edition:First Edition
Pages:Pages: 408 pages
Published:November 3rd 2015 by Knopf (first published April 22nd 2015)
Categories:Fiction. Historical. Historical Fiction. Contemporary. Art. Romance

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A dazzling, witty and tenderly savage satire of London life and the art world that is also a surprising and wonderful love story.

When lovelorn Annie McDee stumbles across a dirty painting in a junk shop while looking for a present for an unsuitable man, she has no idea what she has discovered. Soon she finds herself drawn unwillingly into the tumultuous London art world, populated by exiled Russian oligarchs, avaricious Sheikas, desperate auctioneers and unscrupulous dealers, all scheming to get their hands on her painting - a lost eighteenth-century masterpiece called ‘The Improbability of Love’. Delving into the painting’s past, Annie will uncover not just an illustrious list of former owners, but some of the darkest secrets of European history – and in doing so she might just learn to open up to the possibility of falling in love again.

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Original Title: The Improbability of Love
ISBN: 1101874147 (ISBN13: 9781101874141)
Edition Language: English
Setting: London, England(United Kingdom)
Literary Awards: Bollinger Everyman Wodehouse Prize (2016), Women's Prize for Fiction Nominee (2016)

Rating Based On Books The Improbability of Love
Ratings: 3.68 From 12105 Users | 1589 Reviews

Piece Based On Books The Improbability of Love
Adored all the art/museum talk, it was written in an entertaining and accessible way. Also, loved all the absurdities and personalities of the various rich and privileged characters. Best of all though was the POV of the painting, it was so snobby, hilarious, and in love with itself. The only thing that bothered me was the main character, who in comparison to all the other vibrant characters was a complete bore.

This is a book that cannot fail to entrance a reader. Hannah Mary Rothschild is a truly gifted writer who can weave vibrant worlds artfully. The novel moves effortlessly between the past and present. Art is clearly a passion for the author and you cannot help but get hooked into the story. It begins with Annie, a chef, having suffered heartbreak, buying a painting at a junk shop for her new boyfriend. However, it does not work out and so it belongs to Annie.You know what? The painting talks to

I am astonished by all those rave reviews because, my goodness, this is an awful book. It reminded me of those Pollock's toy theatres with cardboard figures which you could manipulate across the stage. Two dimensional characters and a creaky plot. It contains some truly bad writing and some weirdly inaccurate details that a good editor might have dealt with. For example, Delia "settled down to watch a daily show, Pointless. It started at 5 p.m. and at 4.50 exactly, with everything 'just so',

I loved this book. Its a layered, vivid satire, an inventive romp through the art world and I was sucked in from the start. The centerpiece of this novel is a lost, fictional masterpiece painted by a very real artist, one who is credited with inventing a genre, fetes galantes, that theatrically features pastoral scenes. And it is this work of art, a character in the story, one who speaks of its history and all it has seen, that is the most imaginative element and what made me love this book all

The chapters from the painting's point of view were probably the only thing I enjoyed about this. The story as a whole was boring and the writing style not my cup of tea; I felt the writer was trying to too hard.

From the Baileys Prize longlist, an enchanting debut novel that blends art and cooking, mystery and romance. Annie McDee, a heartbroken PA and amateur chef, pays £75 for a painting from a junk shop, not realizing its a lost Antoine Watteau that will spark bidding wars and uncover a sordid chapter of history. In a triumph of playful narration, we mostly learn about the artworks history from the painting herself. She recounts her turbulent 300-year-history and lists her many illustrious owners,

This novel got great reviews but I don't see why. Supposedly it's witty, clever, and delightful. I can see that the writer was striving for all those things but I don't think she hit the mark at all. I found it boring.